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【Cannes 11】 Day 6

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● 影展熱度確確實實急速升高中,而芬蘭導演Aki Kaurismäki在法國拍攝的Le Havre則讓它一發不可收拾。這部關心法國移民問題,講述一名擦鞋老人想要幫助從警察手中逃脫的非洲男孩的故事,是影展進行至今所有評分平台的最大公約數,幾乎都毫無例外的給予了極高評價,頗有去年Another Year的味道。不同的是該片在超藝術派的這個平台意外只有3.94分(滿分10分),而Le Havre卻斬獲了8.57分(目前在主競賽分數遙遙領先),徹底展現出通殺威力。雖然不是沒有少數影評認為這是一部偉大導演重複玩弄老梗的作品,但要不被這部真誠幽默的童話版黑色喜劇打動,似乎得要有鐵石心腸和冷硬的神經才行。

綜合溫度評量:9

 

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● 另一部主競賽片Pater回報的訊息和資料都非常少,連上述的各大平台累積起來的評價也都還不足判斷其優劣。今年將滿80的法國導演Alain Cavalier,採用了最新潮的拍攝方式,用DV半紀錄片形式在房間內隨性讓兩位假扮政治人物的角色對話,其中許多關於當地文化的指涉,非法國觀眾可能難以理解,而偏偏Le Film Francais的綜合評分遲遲未出,看來只好等之後再來評斷這部影片究竟有沒有資格佔主競賽的一席名額了。

綜合溫度評量:5

 

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● 應該可以稱得上殘酷大師的Bruno Dumont新片Outside Satan前天在一種注目單元首映。目前回報看來影片依舊醜陋、壓迫和邪惡,甚至有影評說這是The Tree

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of Life「笨拙愚蠢的一位表兄弟」。這部鏡頭極少而且使用大量特寫的電影,對喜歡Dumont之前作品的影迷來說應該是可以掛保證的投入,但若不合口味,或許仍然敬而遠之會是比較好的選擇。

綜合溫度評量:5

Written by wowee

May 19th, 2011 at 1:48 am

Posted in Collective Thoughts

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